My affinity for the more obscure and difficult-to-exhibit artifacts leads me to show you not any finished, framed masterpieces (of which we have many), but something more ephemeral: a few pages from the sketchbooks of Belfast, Maine artist Percy Sanborn (1849-1929).
Sanborn's eloquent and substantial ship portraits of numerous well known vessels have assured his reputation as a regional marine artist of note, but these rarely, if ever, seen preliminary studies of coastal shipping and landscapes have a unique, if fragile, charm all their own.
Almost entirely of pencil studies, these small (3" x6") lightly bound booklets are of a size to fit easily into a pocket, and so contain sketches of scenes, color, light and composition that were undoubtedly done on the spot, to be worked up more formally in the studio, or perhaps never.
Detail .
In another only slightly larger notebook, Sanborn followed his ideas to more completed compositions. One example:
Detail .
Sanborn was a meticulous observer of detail for his ship portraits. Another little notebook entitled "Foots and Leeches" contains page after page of named vessels with sail proportions carefully blocked out.
Detail .
From these minute reference notebooks, he expanded to the full-size ship portraits, using the paintbox and palette below.
Ironically, I cannot show you a finished Percy Sanborn ship portrait, for there are none in our collections.
Let me know if you stopped by down here!
Thanks,
Chris Hall, Registrar
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